A friend who cares. Scribbling

"When we honestly ask ourselves which person in our lives mean the most to us, we often find that it is those who, instead of giving advice, solutions, or cures, have chosen rather to share our pain and touch our wounds with a warm and tender hand. The friend who can be silent with us in a moment of despair or confusion, who can stay with us in an hour of grief and bereavement, who can tolerate not knowing, not curing, not healing and face with us the reality of our powerlessness, that is a friend who cares."  - Henry Nouwen.

사회적으로는 일본의 지진과 쓰나미,
개인적으로는 내 안에서 해결하지 못한 쓴 뿌리.
마음이 많이 힘든 이 때에 나에게 위로가 된 헨리 나우웬의 글.

한국이 일본의 진정한 친구가 되고 싶다면
조언을 하고, 해결책을 찾아주고, 치유하려 애쓰기에 앞서
그들이 겪는 고통과 아픔을 같이 그냥 느껴줘야 할 것이다.

얼마 전 친한 친구와 내가 해결하지 못하고 있는 부분에 대해 얘기를 나눈 적이 있다.
그 친구는 아주 명쾌하고 너무나도 당연한 해결책을 나에게 제시해 주었다.
물론 고마운 친구다.
그러나 집에 가는 길에 생각하면 생각할 수록
고맙다는 생각 보다는 서운함이 앞섰다.
결국 내가 그에게 듣고 싶었던 건 해결책이 아니라
"많이 힘들지? 그래 나도 네 맘 알아..."였다.

어려움에 처한 사람들, 가난한 자들, 사회적으로 천대받는 사람들, 남 앞에 서면 작게 느껴져 자신을 잘 드러내지 않는 사람들을 보면 대게 겸손하다. 겸손하다는 것은 자기자신에 대해 잘 안다는 걸 말한다. 그 겸손함으로의 추구, 하향성으로의 추구만이 이 세상이 치유될 길이다. 대부분의 권력자들은 상향성으로의 추구를 앞세워 '섬김'이라 말한다. '영향력'을 말한다.
오늘 여론의 뭇매를 맞은 모 대형교회 목사 - for his ignorant comments on Japan's earthquake - 도 하향성의로의 추구를 섬김으로 여겼다면 얼마나 좋았을까.


박정현 LG아트센터 5월 공연예정! Culture

박정현 팬클럽 홈페이지 갔다가 알아낸 정보입니다.

제가 개인적으로 가장 좋아하는 공연장인 LG아트센터에서 5월18일-22일 박정연 콘서트 "재회"라고 공연일정에 올려놨네요. (여기 클릭하시면 보실 수 있어요 --> http://www.lgart.com/Perfinfo/PerfYear.aspx)

LG아트센터의 음향시설은 예민한 어쿠스틱 사운드에 잘 맞는 것 같아요. 이번에 그녀가 많은 전자음이나 앰프를 사용하기 보다는 내추럴한 악기들 몇개만 사용했으면 해요. 그래야 깨끗한 목소리가 잘 들리니까...

2009년 7월에 공연보고 거의 2년만이군요.

푸르른 5월에 공연 볼 생각하니 흐뭇합니다. ^^


놀아줘 Scribbling

놀아줘 놀아줘 놀아주란말야. 큰집 다녀왔더니 콩이가 어릭광이 심해졌다. 이보세요 당신 벌써 13살이세요-

그랜드민트페스티벌 후기 Korea Herald News

2010년 10월 23일 토요일.
몇 개월 전부터 미리 비싼 티켓을 2장 사 놓고 샬랄라 살랑 살랑 소풍이나 즐기며 가볍게 음악이나 들어야겠다고 생각했던 내가 너무 순진했던걸까. 그랜드민터페스티벌 2010은 기대에 못미쳤다. 돗자리들은 다닥다닥 붙어서 내가 마치 노숙자가 된 것 같은 기분이었다규. 정말 좋아하는 밴드가 나오지 않는 한 다시 가진 않을 것 같다. 명함을 가져오지 않았다며 마치 이상한 사람이 찾아오기라도 한 것 처럼 냉대하던 프레스센터 스탭들도 무지 맘에 안들었음. 정재형 공연때 옆에서 울리는 음악도 거슬렸고,,,,따라서 기사도 매우 씨니컬해졌음.

Grand Mint Fest gets greener but remains chaotic

The Grand Mint Festival, one of the country’s rare indie music festivals, is known for its combination of nature and music, allowing visitors to enjoy a picnic while listening to music at outdoor concert venues.

In its fourth year, the GMF has got better in terms of restricting fast food and drinks to reduce litter, but worse at arranging band lineups and managing the crowd.

As Mint Paper, the operator of the GMF, had warned on its homepage that people cannot bring fast food or snacks that were likely to cause too much waste, I packed lunch boxes, fruit, a bottle of water and a flask of wine to prepare for at least 8 hours in Olympic Park.

By the time I arrived at around 2 p.m., people were already filling the venue, including two picnic zones, a standing zone for the main “Mint Breeze Stage,” a small stage “Blossom House,” a coliseum-like stage “Soup Loving Forest Garden,” and “Club Midnight Sunset” at the Gymnastics Stadium. At the four stages, 26 bands were to perform for about one hour each, from 1 p.m. to 10:30 p.m.
While I was spreading a mat and unpacking my lunch, acoustic guitar duo One More Chance coaxed attention from the crowd with soft songs including “I’m Thinking of You” and “Going Back the Time.” The duo even performed Michael Jackson’s “Billy Jean” with their iPhones. The remake didn’t hurt the original version at all.

Then, the screen in the outdoor main stage kept notifying people that the semi-indoor Soup Loving Forest Garden stage could not accommodate any more people, requesting they go elsewhere. The stage, situated right next to a small lake, had a lineup of famous bands including Park Sae-byeol, 10cm, Jeong Jae-hyeong and Epiton Project.

Giving up on Park’s performance at around 2:40, I headed for Oh Ji-eun and Wolves at the indoor Club Midnight Sunset stage of the Gymnastics Stadium.

With the stadium completely dark and the stage colorfully lighted, Oh showed her rock-and-roll side with her new songs that are to be released in an upcoming album.

I was expecting more acoustic sound rather than heavy beats and loud vocals, but saw Oh’s ability to easily digest a variety of genres including 80s metal.

Back at the Mint Breeze Stage around 5:40 p.m., Jaeju Boys’ soothing guitar melodies and tender vocals perfectly mingled with the glow of sunset.

Although Mint Paper had earlier said that it strictly limited the number of tickets to ensure spacious outdoor activities and pleasant concert watching, several concerts were abandoned because of overcrowding.

After managing to enter the super-popular venue “Soup Loving Forest Garden” to see Jeong Jae-hyeong’s delicate but powerful piano with cello, I immediately headed for Lee Seung-hwan but there was an extremely long queue, even one hour before the concert.

“It would’ve been better if Lee Seung-hwan was performing in the outdoor’s main stage. Then, a lot of people would have been able to see him,” said a spectator in her 30s.

Korean Japanese Yang Bang-eon, also known as Ryo Kunihiko, was the last lineup at the main “Mint Breeze Stage” at 9:00 p.m. People were fighting the cold with blankets and mufflers.

Sitting firmly at the piano, Yang’s band delighted the audience with Asian traditional melodies mixed with violin, guitar, bass and drums. When one of the guitarists played a ukulele with the new-age band, the audience shouted with joy.

“I have good news for you. I’m holding a concert in Korea in January,” said Yang to cheers and applause.

Yeom Su-jin, a Twitter user, said she wished that the GMF would reduce the number of tickets sold so that people could enjoy the event.

This year, tickets were set at 66,000 won for one day, and 99,000 won for two days.

By Kim Yoon-mi  (yoonmi@heraldm.com)

 


신해철 인터뷰 Behind-the-scenes

신해철과의 인터뷰를 마치고

한마디 해주신 마왕님의 동영상이 요기에 있습니다. ㅋ




이건 나갔던 기사...

http://www.koreaherald.com/entertainment/Detail.jsp?newsMLId=20100829000304


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